Diego Santos is an audiovisual filmmaker who works in screenwriting, directing, and editing, with a filmography marked by contemplative and sensory narratives. His work explores everyday life through an intimate lens, transforming small events into experiences laden with meaning. He debuted with *O Ingresso* (2022), followed by *Um Momento no Tempo* (2024) and *Fotografias Desbotadas* (2024), consolidating an auteur approach centered on time, memory, and perception. In 2026, he released *Doce Vertigem*, expanding his aesthetic language and deepening his creative identity. His films move between the real and the subjective, inviting the viewer to slow down and observe what usually goes unnoticed.