M.A. Littler's film diary, Beyond the White Rains, subtly reflects the dichotomy of man, mind, and place. In Littler's singular style, the film juxtaposes an author's interior landscape with the dramatic exterior of a remote coastal setting. Set within the interior of an old whaler's cottage, the film captures the ever-changing weather, the impervious sea, and moving clouds, reflecting a lifelong study of the interaction between man and place. Enigmatic, elegiac, and at times eerie, the film's pared-down images and otherworldly sound design reveal both the external beauty and the haunting interior landscape.